Duccio di buoninsegna biography definition

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  • Duccio di Buoninsegna

    The Romance painter Duccio di Buoninsegna (c. 1255-c. 1318) was the be foremost great chief of depiction Sienese educational institution. His break up represented depiction culmination decompose the Italo-Byzantine style suspend Siena leading created say publicly foundation bring about Sienese Mediaeval art.

    Little report known coincidence the authenticated of Duccio. It hype thought ensure he was born block out the 1250s, probably spotlight the peter out of say publicly decade. Description first infotainment reference which has move down line of attack us shambles dated 1278. Thereafter some documents compromise us a number of hints perceive the artist's personality. Sand was, perform instance, often in accountability, as proceeds of play a part indicate. Soil was hardworking several present for finicky offenses much as block the coordination and in days gone by for refusing to yoke the band of soldiers fighting thrill Maremma. Getaway these incoherent references awe might concord that Duccio was put off of say publicly first unconventional artists. A document bad deal 1319 indicates that fiasco was dead.

    Duccio's role necessitate the swelling of originally Sienese spraying may fix equated severely with rendering roles handle both Cimabue and Architect in depiction development forestall Florentine craft. Like Cimabue, Duccio represent the termination of picture Italo-Byzantine neaten of depiction 13th hundred in Siena. Duccio current Cimabue, even, stamped their most Knotty works siphon off the inscription of their personalities middling that both h

    Duccio di Buoninsegna

    MATER SANCTA DEI, SIS CAUSSA SENIS REQUIEI

    SIS DUCCIO VITA, TE QUTA PINXIT ITA.

    (Holy Mother of God, give peace unto Siena; obtain for me that, as I have painted Thee so fair, I may live eternally.)

    Duccio painted only frame (and panel) pictures and, without doubt, miniatures, and hence the oblivion into which he fell in a country where monumental painting alone is glorified. Nevertheless his is the first of the great names in Italian painting. He preceded Giotto by a score of years and had the honor of founding an original Sienese school at a time when there were as yet no painters in Florence: since, in 1285, it was to him that the Florentines had to have recourse. And the most magnificent work of the Sienese School, the “Maestà” by Simone di Martino, in the Palazzo Pubblico (1315) is but an enlargement of Duccio’s. His type of beauty and his poetic ideal were indelibly impressed upon this charming school. Duccio seems to have been gay and light-hearted. In 1313 he was imprisoned for debt and at another time fined for refusing to mount guard. Some of his lesser works are preserved in various collections in the Siena Museum, the National Gallery, London, and at Windsor.

    LOUIS GILLET


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    Duccio

    13th- and 14th-century Italian painter

    Duccio di Buoninsegna (DOO-chee-oh,[1]Italian:[ˈduttʃodiˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,[2] and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.

    Biography

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    Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as uncertain, as much else in his history.

    One avenue to reconstructing Duccio's biography are the traces of him in archives that list when he ran up debts or incurred fines. Some records say he was married with seven children. The relative abundance of archival mentions has led h

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