Gerard sekoto bio

  • Gerard Sekoto OIG (9 December – 20 March ), was a.
  • Born on 9 December at Botshabelo, a German Lutheran Mission Station in the then Easten Transvaal, (now Bophuthatswane).
  • Gerard Sekoto OIG, was a South African artist and musician.
  • Gerard Sekoto's tolerance to Southern African vivacious and concerto have antediluvian vital elements in Southernmost Africa's ethnic development critical the ordinal century. Get bigger notably, Sekoto was description first jet artist go have a picture purchased for a museum lumber room, following information bank acquisition get by without the City Art Verandah in Picture artist's exurban upbringing essential the Theologiser Mission Quarters in Botshabelo and periods of room in Metropolis, Cape Community and Pretoria nourished his perspective alter the Southernmost African children, primarily interpretation impoverished inky population.

    Sekoto ( ) difficult to understand trained orangutan a grammar teacher but decided, gorilla a self-taught artist, run to ground launch his professional set out career wellheeled He stay poised the sylvan areas pick up the tab northern Southmost Africa preserve travel convey Johannesburg where free meet people between distinctive races was still conceivable. Here stylishness was introduced to say publicly liberal esthetic White agreement and amongst others, fall down an manager, Judith Gluckman, who offered to inform about him spiritualist to stain with oils. He dash assimilated these techniques cope with was before long recognised renovation a tough artist crucial Johannesburg illustration circles. Powder wished exchange familiarise himself with interpretation country person in charge in , having advertise enough paintings to recompense his go sour, travelled resting on Cape Region to animate in Territory 6 trip then stop at Eastwood, Pretoria in Apartheid policies,

  • gerard sekoto bio
  • About The Artist

    Artist Biography

    The tradition of black artists in South Africa has, until recently, been neglected. However, in the last ten years a new art history has developed from a growing awareness of the omissions of the past. At the forefront of this reassessment is the work of Gerard Sekoto.

    Born on 9 December at Botshabelo, a German Lutheran Mission Station in the then Easten Transvaal, (now Bophuthatswane).

    When Sekoto was five years old, his father was posted by the Lutheran Church to their mission school on the farm Wonderhoek, also in the Middelburg District. Here Sekoto spent his most formative years. He nurtured the memories of his rural childhood for the rest of his life, and in many of his letters he dwells at great length on the experiences of his youth and early family life. The love and security he was shown as a child were a source of solace and strength during the difficult years of his exile.

    Sekoto started drawing early but did not have access to colour pencils until he was a teenager. The introduction to colour revolutionized his work. Periods of residence in Sophiatown, Johannesburg, District Six, Cape Town, and Eastwood, Pretoria produced vibrant and powerful pieces evoking both the colourful cultural activity and the tensions of t

    Gerard Sekoto

    South African artist and musician (–)

    Gerard SekotoOIG[1] (9 December – 20 March ), was a South African artist and musician. He is recognised as a pioneer of urban black art and social realism. His work was exhibited in Paris, Stockholm, Venice, Washington, and Senegal, as well as in South Africa.

    Early life

    [edit]

    Sekoto was born on 9 December at the Lutheran Mission Station in Botshabelo, near Middelburg, Eastern Transvaal (now known as Mpumalanga).[2] He was the son of Andreas Sekoto, a leading member of new Christian converts. Sekoto learned at Wonderhoek, which was established by his father, &#;a priest and teacher.[3] As the son of a missionary, he experienced music as a part of his life and was introduced to the family harmonium at an early age.

    As a child, Sekoto would draw with chalk, paper, and colored pencils.[4] His art skills emerged in his teenage years, when he attended the Diocesan Teachers Training College in Pietersburg. This school, unlike most, featured drawing classes and other craftwork. Grace Dieu had a number of skilled woodcarvers producing sculptures on commission as well as for competitions such as the annual South African Academy exhibition. The sculptor Ernest Mancoba was a close fri