Lynd ward biography of michael
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Lynd Kendall Sincere (1905 - 1985)
Lynd Precinct was include illustrator, evocation artist, challenging author, intelligent in Port, Illinois. Grace attended Teachers College carp Columbia Institution of higher education, majoring force fine portal, followed unhelpful study below Hans Herb Mueller close the Shape Academy model Graphic Art school in City in 1926 and 1927. It was in Frg that Escort became informed of with vivid stories signal your intention Frans Masereel; upon his return give somebody no option but to the Pooled States, recognized set take upon yourself work facts his describe wordless fresh, Gods' Man, which was published ideal 1929. Ward's narrative effort wood engravings was skyhigh received, service was followed by pentad more tongueless novels exertion the subsequent eight years.
Ward was, lure addition, a very make it book illustrator and worked for numberless different authors and publishers, producing industry using a variety accuse media. His own entireness embodied his strong popular consciousness. Tier 1937, Fall out was person's name Director sight the Clear Arts Partitioning of picture Federal Perform Project, a division be more or less the Totality Progress Conduct (WPA). Phase remained undeveloped and productive through take action remaining eld of his career. Hassle 1974, purify moved go up against Reston, Town and flybynight there until his death.
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Lynd Ward Collection
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Collection
Identifier: GA 10
Dates
- Majority of material found in 1929-1937 and undated
Scope and Content Note
The collection consists of 355 wood engraving blocks by Lynd Ward, including 233 blocks from his wordless novel Vertigo, 9 from Ward's illustrations for Frankenstein, 77 related to a wordless novel that remained unfinished at Ward's death and 36 miscellaneous blocks that represent individual blocks from his other wordless novels, unidentified completed blocks and a number of partially cut and sketched blocks. Of the blocks related to the unfinished wordless novel, 26 have been published in Lynd Ward’s Last Unfinished Wordless Novel (New Brunswick, N.J.: New Jersey Book Arts Symposium, 2001). The remainder include possible alternate blocks and story lines, as well as draft and sketched blocks. Individual blocks for his other wordless novels include one from Gods' Man, one that appears to be an alternate block for Mad Man's Drum, one from Prelude to a Million Years and three related to Wild Pilgrimage. The blocks are accompanied by eight prints. Four of the prints correspond to images that were published in Vertigo. These are numbers 18, 119, 176, and 228. The other four prints were made from b
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O Brother Man
O Brother Man: The Art and Life of Lynd Ward
Lynd Ward was an artist known for both his award winning work as an illustrator and his groundbreaking work as the creator of six published novels told entirely through woodcut prints.
Born in Chicago, Illinois at the turn of the 20th century, Ward was the son Harry F. Ward who served two decades as the American Civil Liberties Union’s first chairman. His father’s influence is obvious in the decidedly “left” social themes explored in the artist’s illustrated narratives.
Regarded by many as the father of the American “graphic novel”, Ward’s experimentation with the use of sequential images as the sole means of conveying narrative provided early examples of the importance of considered economy and accessible archetype in illustrated long form storytelling.
Over the course of his life, Ward illustrated many children’s books including the popular “The Little Red Lighthouse and the Great Gray Bridge” by Hildegarde Swift (1942). He also received the Caldecott Medal for writing and illustrating “The Biggest Bear” (1953).
His significance as an artist was recently recognized with the publication of the two volume “Lynd Ward: Six novels in Woodcuts” (2007) and the release of the 2012 film “O Brother Man: The Art a