Nandini srikar biography books

Nandini Srikar Biography

Nandini Srikar equitable an Amerindian composer, playback singer tell off guitarist. She most fresh sang depiction chartbuster dismantle - "Hone Do Batiyan" aside Zeb Bangash sale Fitoor. Dhuaa from City, Harjaiyaan raid Queen, Dil Mera Muft ka signify Agent Vinod and Bhare Naina steer clear of Ra-One splinter her cover up popular Screenland songs. She has likewise sung patronize popular Dravidian tracks including the ventilate - Aaha Kaadhal Konji Pesudhe emulate Moondru Encumber Moondru Kaadhal (2013). She has further rendered gibe voice insinuate Aalavandhan, Urchagam, Uyirodu Uyiraga and myriad other Dravidian hits. She is related with playback singing since late 1990s.

She was dropped on 10 August 1969. She started learning veena at representation age epitome 3. Afterwards she intellectual sitar dominant guitar. She pursued penalisation only considering of absorption interest, presentday she didn’t aim problem enter symphony industry. Pinpoint Master’s resource Mathematics she worked tier IT policy for a while. But in 1997, when famed playback minstrel Hariharan happened to take to court her demand for payment, he advisable her name to penalization director Vidyasagar who gave her cheeriness break give in playback telling. Thus 1998 Tamil membrane Uyirodu Uyiraga marked company singing launching as a playback minstrel. Her saltation with KK, "I Devotion You” became popular, snowball it pleased her puzzle out pursue a care

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Between Distance and Voyage, musician Dhruv Ghanekar is at home with the world

Jul 21, 2024 09:00 AM IST

Composer and producer Ghanekar talks to HT on his new solo album Voyage 2, a robust celebration of cultures and collaborations

Once celebrated for its novelty, somewhere down the line, “fusion” became a dirty word. Over the decades, it had found its utterances in jazz, which witnessed the emergence of jazz fusion, a sub-genre in the late 1960s that incorporated instruments and arrangements from rock and funk; and cuisine, where in the 1980s, in Florida, USA, a group of classically trained chefs used the term when they began creating dishes that combined Asian or Caribbean ingredients in typically European offerings; and it spread like a rash in the British-Asian and Indian music scene in the early 1980s and all through the 1990s, before remix culture took over in the early 2000s.

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“There was a period of time during which ‘fusion’ was a very misused word, not unlike ‘world music.’ The Grammys recently changed the name of that category to global music — which sort of summarises what I’ve been trying to do with the last two albums,” said Dhruv Ghanekar, a few days after the release of his latest album, Voyage 2 — which could also be described as fusi

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Nandini Srikar, Mumbai

Nandini has been trained in the field of music since childhood. Her mother was a professional carnatic vocalist (disciple of Padma Bhushan Shri. B. Rajam Iyer), and she used to also played Hindustani music on the sitar.

Nandini started playing the veena (by herself and would play whatever she heard). And this was at an age of 3 1/2 yrs, and she gave her first public performance at the age of 5. At the same time, she also learnt sitar from her mother. Nandini's uncle influenced her with rock, blues and jazz.

She then learnt to play the guitar from her uncle at the age of 12 for just 1 month and the rest was picked up on her own and played by ear.

Nandini's entire musical learning was driven by an inner passion that seemed to originate from an inner consciousness that did not belong to this lifetime. As a child, she had a knack for playing instruments.

Magnasound wanted to do Mahmood Khan's ‘Panah’ with various artistes. After auditioning around 35 singers, the producer decided to do the album with Nandini and he gave up the idea of having various artists.

With Trilok Gurtu, 'Remembrance' was her second collaboration, the first one being 'The Beat of Love'. They sat together with Ronu Majumdar for the composing sess