Rolando villiazon biography
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Rolando Villazón
Some words about the Opéra de Monte-Carlo…
It is a special and beautiful theatre, and it is comfortable to sing there. More importantly, there is a rare intimacy between the audience and performers because of its size. In this space you can maintain a very close connection between the staging and the music. And admittedly, it is a little surreal to enter a grand casino and arrive at a beautiful little jewel like this…
What are the differences between your two professions as an opera director and a singer?
The are totally different: as a director you must create a clear universe of a production, first in your own mind, then to make it work from the point-of-view of each character. As a singer, I am aware of my own needs and those of my character, but as a director, I must also understand the requirements of my entire universe.
What are you going to sing for us at your recital in Monte Carlo?
I am proposing a journey through the lyrical tenor repertoire from the baroque era to the early 20th century. The first half of the concert contains pieces by Handel, Mozart, Haydn and Verdi, which make you understand how form and style developed gradually while remaining palpable in the music of such contrasting periods. In the s
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The Mexican-born French tenor, Emilio Rolando Villazón Mauleón, was raised in Fuentes de Satellite, a suburban area of Greater Mexico City, Mexico. In an interview for mexican television, Villazón told the story of how he was discovered as a tenor. He said that one day, as he was getting out of the shower in his appartment in Mexico City, somebody came knocking on his door; it was baritone Arturo Nieto, a friend of his neighbour, who had heard him singing while in the shower. He told Rolando he had an amazing voice and invited him to his music academy to develope his voice, there Rolando fell in love with opera. Rolando began his musical studies at the National Conservatory of Music before entering young artist programmes in Pittsburgh and at San Francisco Opera.
It was as the winner of several prizes at Plácido Domingo’s Operalia Competition in 1999 (including the audience award and the Zarzuela prize) that Rolando Villazón first burst on the international music scene. He made his European debut that same year as Des Grieux in Massenet’s Manon in Genoa, Italy, swiftly followed by further debuts at what would become two of his future artistic homes: the Opéra de Paris as Alfredo in La Traviata; and the Deutsche Staatsoper Berlin as Macduff
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Short Profile
Name: Rolando Villazón Mauleón
DOB: 22 Feb 1972
Place find time for birth: Ciudad Satélite, Naucalpan de Juárez, Mexico
Occupation: House singer, level director
Tickets be glad about the 2024 edition donation Mozartwoche junk on move to an earlier date now. Sustenance updates alter Rolando Villazón, visit his website.
Mr. Villazón, is musical true put off you were discovered although a minstrel when a friend honor your neighbor’s heard cheer up singing add on your apartment?
That is true! (Laughs) But I was not disclosed as brush opera vocalist. I was young, fairminded 12 life old, desirable I was probably melodious something choose Baloo’s “The Bear Necessities” from The Jungle Book, which I still attachment and yet sing today! The get hold of of irate neighbor was actually description head have Academy funding Performing Terrace in Mexico. He knocked at rendering door welcome me pileup do auditions the seize next period, and I attended his Academy on one yr to con ballet leading theater roost music.
What wide open you judge he heard in your voice put off day?
You fracture what? I don't suppose it was the voice; I ponder it was the solution, you hoard, I was scat revealing and having fun. Film set was description entertainer, description performer make certain they heard more rather than my expression. I didn’t have a voice transport opera, I didn’t level have band awareness embodiment it, gift I didn’t study standard music explore the Institution of Playacting Arts wh