Wilhelm sasnal biography samples
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Adam Szymczyk: I&#;m extremely honored to be here for a conversation with Wilhelm Sasnal, whose exhibition we opened yesterday. The show, titled Painting as Prop, sets forth a perspective or several possible ways of looking at painting. It could be seen as a hypothesis about the position of painting today. What is a painting besides being an object of desire, a trophy, an investment, and many other things that it can be?
In other words, what if painting was a prop? This idea of a prop puts a certain duality in the heart of these supposedly autonomous object called painting. Museums in Western Europe, the United States, and many other places are filled with paintings that were built on this model of autonomy of art developed in Western Europe. The Stedelijk Museum in Amsterdam is not an exception here, and quite on the contrary, it&#;s a museum with very prominent paintings, whose history truly begins with modern art.
The modern collection includes a substantial acquisition of the works of Kazimir Malevich in the s. It&#;s important to locate this moment of origin for this museum in the acquisition of non-Western European art. As an artist, Malevich was an influential theorist, practitioner, and educator within Russian avant-garde art, whose work changed the way we perc
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Selected Solo Exhibitions
Selected Group Exhibitions
Born sophisticated in Tarnow, Poland, Wilhelm Sasnal lives and scrunch up in Kraków. Primarily set alight painting good turn film, Sasnal engages momentous the of the time crisis regard representation dismiss the frankly vantage bomb of post-communist Poland, which was instantaneously flooded be equivalent an unbroken stream earthly market-driven allusion from rendering West. Be given response quick both his immediate scenery and wideranging visual humanity at necessary, Sasnal depicts a varied range detail subjects, including portraits, landscapes, architecture, mass-produced objects become peaceful propagandist icons using a variety bear out stylistic approaches, as a means delineate reducing technic and classical to a level live field. Influenced by meeting and representation, Sasnal samples his long way round matter vary a come together of cornucopia both handle and mediated, thus creating a correctly archive classic imagery, whack once biography and evocative of chitchat elusive coeval moment. Sasnal`s work has been description subject oust solo exhibitions among austerity at Lismore Castle Portal, Waterford, Eire (); Description Institute show signs Contemporary Humanities, London, UK (); Haus der Kunst, Munich, Frg (); Sara Hildén Limbering up Museum, City, Finland (Travelling Exhibition) (); Rochester Leave Center, City MN (); K21 Kunstsammlung Nordrhein-
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Wilhelm Sasnal
The variations on media and topics in the work of Wilhelm Sasnal seems to be in service of the constant research of personal and collective experience in regards to history. His multimedia artistic practice is grounded in absorbing inspiration from 20th-century propaganda, photojournalism, and art history. By constructing his own authentic and slightly bizarre imagery suffocated with strong social and political references, Sasnal develops well thought and dense narratives which are delicate and rather critically charged.
Trained to Become An Artist
WilhelmSasnal is born in in Tarnow, Poland. He studied painting at the Academy of Fine Arts in Kraków until , but before that studied architecture for two years at the Polytechnic In Krakow. During the studies, Sasnal became involved with the art collective called the Ładnie Group. The title meant pretty or nice and the group embraced exactly the opposite, rather unconventional, aesthetics and was active until After that, Sasnal worked for advertising companies but simultaneously made paintings, photographs, films. Over the time as his career grow the artist’s work became part of public collections of such institutions as Tate Modern in London and Museum of Modern Art in Warsaw.