Giovanni baglione biography
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Full Name: Baglione, Giovanni
Other Names:
Gender: male
Date Born: 1566
Date Died: 1643
Place Born: Rome, Lazio, Italy
Place Died: Rome, Lazio, Italy
Home Country/ies: Italy
Subject Area(s): Baroque, biography (general genre), Italian (culture or style), and Roman (ancient Italian culture or period)
Overview
Painter and first historian of the Roman Baroque through two early art histories, a biography of artists, Vite de’ pittori, scultori, architetti (1642), and a survey of Roman churches, Le nove chiese di Roma (1639). Baglione described himself as having descended a noble family from Perugia. In his autobiography appended to his Lives of the Artists, Le vite, 1642, Baglione claimed as well that he studied art under the painter Francesco Morelli in Rome. He worked as a painter, employing a Caravaggesque style, and received numerous commissions. By 1600 Baglione was an Accademia di S Luca member. He brought a libel suit against Caravaggio in 1603 for some verses supposedly written by him against Baglione. Within that context Orazio Gentileschi, a plaintiff in the suit, admitted Baglione a “first-class painter.” Baglione was knighted in 1606. Between 1621 and 1622 he traveled to Mantua. In the 1630s, he began compiling not
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Artists in biographies by Giovanni Baglione
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Giovanni BAGLIONE
Rome 1566 - Rome 1643
Biography
Giovanni Baglione was, according to his autobiography, a pupil of the minor painter Francesco Morelli, before working as one of the artists entrusted with the fresco decoration of the Scala Santa and the Vatican Library between 1588 and 1590. His first major commission was for a series of frescoes of scenes from the life of the Virgin for the Roman church of Santa Maria dell’Orto, completed in 1598; a project that established his reputation. Around 1600 he painted a fresco for the transept of the church of San Giovanni in Laterano, and soon after fell under the influence of Caravaggio. As a result his style changed quite dramatically, as evidenced by a painting of Divine Love Overcoming the World, commissioned by Cardinal Benedetto Giustiniani and completed in 1603. In the same year, however, Baglione sued Caravaggio and several other artists of his circle, including Orazio Gentileschi, for libel, accusing them of publishing poetry that defamed him, and from this point onwards his work became less overtly Caravaggesque. He continued to enjoy a highly successful career, underlined by the commission for an altarpiece for Saint Peter’s in 1604 and for frescoes in the Cappella Paolina at Santa Maria Maggiore, painted betwe